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Ride Your Heart ‘Til It Breaks, Chapter Five

BEGUINE

CHAPTER FIVE

October, 1994
And so for the next week, Karen Moon was back at Jazz By the Bay every night except Sunday when the club was dark. At work, she struggled to concentrate on the dry financial forms piled on her desk. She much preferred to picture Stan on stage in his white dinner jacket, eyes locked on hers as he played.

She grew to hate the bright October sunlight streaming through the glass walls of her office because it relentlessly reminded her hour after hour that she could not see Stan until dark. She longed for eight o’clock when the firm would be empty of everyone except the night secretaries, the janitors, and the associates trying to impress the partners with their super-human billables. At eight, she could slip into the ladies’ room and change into the demure black cocktail dress she had bought at Nordstrom on that first Friday afternoon after Alan assigned her spying mission She had been tempted by the plunging necklines that the Table of Four favored; but, in the end, she was afraid of appearing too obviously in competition with them.

Her dress was knee length, with a modest V neckline; but she added a set of very long and expensive rhinestone earrings to give it glamour. She bought body glitter to sweep over her throat and shoulders and silvery eyeshadow to highlight her eyes.

When she had transformed herself each night from Karen-the-Lawyer into Karen-the-Woman, she headed to Seaport Village, hoping for the most distant parking spot in the lot, so she could walk longer with Stan after the show. She loved hurrying along the Village’s winding paths, lit by the hundreds of white fairy lights, knowing she was leaving the real world and heading into an enchanted land full of possibilities.

On Saturday, following her week of nightly appearances at Jazz By the Bay,
Stan walked her out into the cool October night just after midnight and said, “Want to walk by the Bay for a little?”

“Sure.”

“Let me put my horn in the car.”

He unlocked the trunk of a pristine red ‘65 Mustang and placed his trumpet bag carefully inside. He started to put his white dinner jacket in, too; but noticed Karen shivering slightly in the night breeze.

“Here, put this around your shoulders.”

The jacket still carried the warmth and smell of Stan’s skin. Karen felt a hard, stab of pure desire as he draped it around her and took her hand, leading her down the path toward the water. The moon was full, and its silver light was almost as bright as daylight.

He looked over at her with his mischievous smile. “Like the show?”

“Of course.”

“You’re going to have to pick a new favorite tune. People are beginning to think I like you.”

“And do you?” She echoed his bantering tone, but her stomach tightened as she waited for the answer.

“A little.” His eyes still twinkled, but his voice reflected his discomfort at being asked. As they turned down the path that wound by the Bay, he moved the conversation in a different direction. “You don’t seem like a ‘Karen’ to me.”

“What should my name be, then?”

He stopped and studied her face in the moonlight. For a moment she thought he might kiss her, but he turned back to the path and began to walk again. “Carrie,” he said. “You look like a Carrie.”

Her stomach tightened again. Why did the moment when he decided not to kiss her feel like rejection? And yet, why did the next moment when he guessed her name feel so intimate? “I used to be Carrie,” she offered.

“When?”

“All my life, until I went to law school.”

“Where you Carrie when you studied music at Boston University?”

“Yes. What made you remember that?”

“BU is an impressive music school. What was your instrument?”

“Flute.”

He looked down at the hand he held and smiled ironically. “Flute fingers. I should have known.”

They walked in silence for a few moments. Then Stan said, “Why did you decide to become someone else?”

“I was afraid to go on being Carrie Moon.”

“Why?”

“Because she wanted to be a musician. She wanted to go to Julliard after college, and she was accepted.”

“So why didn’t she go?”

“Because she was afraid.”

Carrie stopped and studied the yachts bobbing on the moon-streaked water as she remembered the day she had put the letter in the mail telling Julliard she wasn’t coming. “All through college, my parents kept insisting music wasn’t a reliable career. I majored in music to please myself and in accounting to please them. Just before I graduated, I auditioned for graduate school in music and applied to law school. I got into Julliard and Harvard.”

“And you picked Harvard?”

“Yes.”

“Why?”

“My parents were killed in a car accident just after I got the acceptances. Honestly, the three of us were never all that close. They were so busy struggling to pay the bills every month, they didn’t have much time left over for me. But when they died, I was suddenly weighed down by how alone I was. And I kept thinking about how much they had wanted me to have a career outside of music.”

“So you let someone else choose your life?”

“That sounds so harsh, but in a way a I did. Still, my decision to leave music was not entirely because of them. Have you ever wanted something so badly you were sure you could never have it?”

He nodded.

“A career in music was like that for me. I wanted to play so much it hurt. But I was so afraid I’d fail if I tried to be a professional musician. I was afraid I wasn’t talented enough.”

“So you couldn’t fail if you didn’t try?”

“Or I failed because I didn’t try.”

“Didn’t you miss music?”

“All the time. I promised myself I’d practice every day. I didn’t mean to ever stop playing. But law school was overwhelming. Gradually, days went by when I never opened the case. I kept telling myself I could go back whenever I wanted. But deep down, I knew it was a lie.”

“But still, Harvard law.” She could see the idea intimidated him and put space between them.

She felt the now familiar flicker of fear that any sign of rejection produced. “Don’t be impressed. The way you play is a much bigger deal than going to Harvard. Where did you study?”

Stan shrugged. “Here and there. I grew up in a bunch of different foster homes in San Diego. My father split just after I was born. My mother struggled to keep me until I was five. Then she handed me over to Social Services and never came back.”

They had come to a bench, facing the bay. Stan pulled her down beside him. She wanted him to put his arm around her or take her hand, but he didn’t. He stared at the waves dancing in the silver light. “I picked up the trumpet when I was nine. The elementary school had a beginner band, and my foster father had played the trumpet. He let me take the instrument with me when I went to the next family.”

“How many homes were you in?”

“Five. Or was it six? I’d have to count up.”

“But somewhere you learned to play like that.”

He smiled. “I got a paper route to pay for my lessons. And I went to UCLA for a year. But I was getting gigs by then, and I thought I needed the money more than the stuff they were teaching me. I saved up and took lessons from Jimmy Stamp and Claude Gordon. You know who they are, right?”

She nodded. “So why aren’t you still in L.A?”

A shadow crossed his face. “I was there for about twelve years, mostly playing in a lot of rock and roll bands and looking for better gigs. Four years ago, my wife died. Harry knew I needed a change of scene, so he offered me a regular spot here at the club.”

Karen reached out and put her hands over his which were clenched together in his lap. He smiled but remained slightly away from her on the bench, shoulders hunched, eyes fixed on the water. “I’m sorry about your wife.”

“Thanks. We had six great years. I met her in Vegas after a gig. She was a dancer. I was twenty-five; she was twenty-one. Three months later, we got married.”

“What happened?”

“Crystal meth. She started using during the last two years we were married. I didn’t like it. I’ve always stayed away from the people in this business involved in drugs. I wish to God Deanna had. Anyway, she told me she’d stopped using, but I came home on Christmas Eve after playing a party in Beverly Hills and found her dead.”

Karen squeezed his tightly interlocked fingers again, but he still did not respond. He looked at her, his eyes masked, apparently oblivious to having rejected her comfort.

He said, “Don’t think about getting involved with me.”

The now familiar flicker of panic shot through Karen, but she kept her voice devoid of emotion. “Why not?”

“Because I won’t fall in love with you. Or with anyone else for that matter. Losing Deanna hurt too much. And, besides, attachments don’t work out for me. I learned that growing up. As soon as I’d get attached to my foster family, they’d send me away.”

“What if I stay around?”

“Don’t. You’ll just get hurt.”

His final rejection stung, and Karen felt tears begin to well up. She looked out at the bay and concentrated on making them go away, so he wouldn’t notice.
He pulled her to her feet. “Hey, it’s late. I’ll walk you to your car.”

The return trip was devoid of the magic Karen had felt earlier. She continued to struggle to keep her emotions in check. Beside her, Stan was silent.

He took her key and opened her door. He was in a hurry for the evening to end. She slid behind the wheel, wondering miserably if she would ever see him again. She couldn’t go back to the gray life she had led before he came into it.

Stan closed her door and stepped back. “Take care driving home. See you around.”

“Thanks for tonight.” She started the engine and backed out of the parking space, fighting the urge to stop and jump out and beg him not to shut her out of his life. She drove away, tears streaming down her cheeks.

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Ride Your Heart ‘Til It Breaks, Chapter Four

PRELUDE AND THEME

CHAPTER FOUR

December, 2007

He was playing it now. The singers moved away from center stage to leave room for Stan to solo. He made the longing melody so rich and deep that almost everyone stopped dancing to listen. Four hundred people hanging on every note.

He could still do that to an audience, Karen mused, as she watched him soar through the haunting melody, eyes closed, deep in the world he occupied when he played.

Twelve years had changed his face and thickened his abs but had not touched the way he mesmerized with his horn.

* * *

October, 1994

And that is how she had left Jazz By the Bay that first night, mesmerized and longing to return. When Alan showed up at her office around ten next morning, she was quick to give him an inconclusive report that would require her to go back more than once.

“Too soon to tell what kind of profit he’s making.” But with less than half of twenty tables filled at mid-week, Karen already knew Harry Rich was having a tough time being in the black each month.

“So how long before you’ll know?”

“Give me at least a couple of weekends. If he’s packed on Friday and Saturday nights, he’s in the clear.” Pray God that was true, Karen thought.

Alan shrugged. “Ok. Sounds reasonable. Is Hartfield on schedule?”

“Of course. Secretarial got the final draft done last night, and I’m going to messenger it to the printer’s at noon. It’ll be out the door to the SEC in the morning.”

“Good. So Waterfront Development didn’t slow you down too much?” He grinned, and Karen knew he was playing his I’m-right-and-you’re-wrong game. He wanted her to admit she could maintain her own practice and his, too.

“Not too much, but I’ve still got a lot to catch up on.”

“But you’ve got time for lunch today, right? David and I wanted to thank you for working on the Waterfront deal.”

Karen’s heart sank. Whereas other associates would have killed to go on lunches with the name partners, she would much rather have a sandwich at her desk. She dearly hated sitting at Rainwater’s listening to Alan Warrick and David Thompson tell endless war stories about the early days of their firm while her pasted smile made the corners of her mouth hurt. And it would be particularly hard to listen to them today when her mind was completely occupied with replaying Stan’s performance of “I Can’t Get Started” and wondering if he would repeat it for her that night.

But as of March she was up for partner. And even if she hadn’t been, she could not have refused the joint request from the firm’s letterhead. Still, the thought of being hours behind when she got back to her desk made her heart sink. What if she couldn’t make it to Jazz By the Bay that night?

* * *

But she did arrive by ten o’clock. She held her breath as she paid the attendant at the door and stepped into the club’s darkness. Stan was on stage with the brunette singer from the previous night. The poster out front identified her as Kristin Rich, wife of Harry, the owner. Harry himself, a fortyish African-American, whom Karen recognized from the same poster, was at the piano. A man about Harry’s age was on drum set. Stan was in the process of adjusting the horn in preparation to play.
Karen slipped into her table from the previous night, relieved that over half of the tables were full. She felt a hard stab of jealousy when she realized the Table of Three had grown to Four, and the gowns were even lower cut than the night before. She wished she had changed out of her work suit before coming over.

And then Karen forgot everything except the warm, deep golden sound of Stan’s trumpet, playing “My Funny Valentine.” He went through song after song, some alone, some with the singer. Every melody tore open the sealed places in Karen’s heart and let in a flood of overwhelming feelings she couldn’t name.

When Stan played, he often closed his eyes, concentrating on every detail of his performance. But at other times he kept them open and let them dart over the audience, making contact with some listeners and ignoring others. He was very practiced at gaining the attention of those he chose to engage and appeared to realize the disappointment he inflicted on the ones he ignored. That night, she noted with satisfaction, he made little eye contact with the Table of Four.

Not long after she sat down, he broke into “Watermelon Man” with Harry on the piano. As he hit every impossibly high note, he looked right at Karen. He seemed to be saying, this is for you. Her hands began to tremble with excitement. She could hardly wait for a chance to talk to him.

He came into the audience at the break, scotch in hand, as he had the night before. He concentrated on the couples tables first, and Karen grew impatient for him to come to her. But she was happy that he studiously avoided the Table of Four.

Finally, he was standing next to her, eyes twinkling.

“You came back.”

“I did.” She smiled, trying to keep her voice steady.

“Then I must have done something right last night.”

“Except for getting my name wrong.”

“But I got it right. Kay, the banker!” His face lit up as he teased her.

“No, Karen Moon, the lawyer.”

He jingled the ice cubes in his empty glass as he considered what she had said. She felt as if he were trying to make up his mind about her. Did her profession mean he would immediately lose interest? As she waited uneasily for his response, the gold chain jangling against his watch reminded her how much Alan Warrick hated men in jewelry.

“What kind of lawyer?” He finally asked.

“Securities and Exchange Commission. Financial filings. I worked for a firm in New York for five years right out of law school where I learned the basics. Then five years ago, Alan Warrick hired me here.”

“Form 10-K’s and 10-Q’s?” he suggested.

“Right. How did you know?”

“Oh, I follow the stock market. I have a few investments. Any hot tips?”

“Afraid not.”

He grinned. “Well, I’d better get back on stage.”

The lights went down, and he began the first bars of “I Can’t Get Started,” making eye contact with her as he set his embouchure and sounded the first note. This time he did the vocals, too; and she sat entranced as he played – just pure, golden horn.

The music ended too quickly at a quarter past midnight. The club emptied rapidly, except for the Table of Four who rushed to the stage while Stan packed up his instrument.

Regretfully, Karen headed for the exit, knowing she had to be at work early. She was already counting the minutes until she could return next evening.

But just as she reached the door that led to the lobby, Stan called out, “Wait, Karen! Can I walk you to your car?”

She turned, her heart slamming in her chest. The Table of Four studied her with envy.

“Sorry, ladies,” he said. “I’ve got to make sure Kay the banker makes it home safely.”

Each one gave Stan a peck on the cheek and headed for the exit. They all looked Karen up and down as if to say, we have no idea what he sees in you.

Stan picked up his trumpet bag and hurried toward her. “Where’s your car?”

“In the lot outside.” She wished she had parked farther away.

“So how was it tonight?” he asked as they stepped into the crisp October air.

“Fantastic. Are you this good every night of the week?”

He smiled. “I try to be. Hey, I guessed this was yours.” He took the key from her and opened the door.

“Why did you think this one was mine?”

“Conservative but not quite. Like you.”

“I’m not conservative,” she protested.

“Oh, no? You work in the top law firm in town and you aren’t conservative?”

“If I were, would I be standing here with you at one a.m.?”

He laughed. “Probably not.”

She slipped behind the wheel and closed the door, rolling down the window quickly. “Thanks for tonight.”

“I’m glad you liked it.” He leaned on the door as she started the engine, “But here is the big question:  are you coming back tomorrow night?”

“Absolutely.”

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Ride Your Heart ‘Til It Breaks – Chapter Three

 

PRELUDE AND THEME

CHAPTER THREE

December 2007
As the waiters rolled back the doors to reveal the dance floor, the eight-piece band broke into “Let’s Get This Party Started.” Karen would have cringed at the cliche with any other group, but she barely noticed the song. Her eyes were riveted on the man in the red sequined jacket with the trumpet, standing just behind the two, statuesque blonde singers in plunging green velvet gowns. Over the course of twelve years she had often tried to imagine his face, wondering how much he had changed. And occasionally she had seen men who somewhat resembled him and had incorporated their features into her mental picture. But she hadn’t gotten it true to life. And now she had the chance, at last, to see what he had become.

Middle age had thickened his formerly wiry five eleven, but not a great deal. His hair was still wavy and dark, but noticeably receding, leaving a broad forehead exposed. He had put on weight in his face which gave him a rounder, more open appearance than the sharper features of his youth.

But his eyes, dark and mischievous, were exactly the same. She watched them dart from curvaceous singer to curvaceous singer and felt the old familiar stab of envy as she wondered which one he was sleeping with. Her jealousy broke the dam that had held back her feelings. As she stood watching him again, after twelve years, she couldn’t stop the memories.

* * *

October, 1994

When Karen Moon graduated from Harvard Law in 1984, she went to work on Wall Street for the securities powerhouse, Jennings, Cooper, and Duran. For five years she tried to learn to love securities law; but by June of 1989, she was willing to admit, only to herself, that it was exquisitely boring. So when a head hunter called with the news that Warrick, Thompson in San Diego had an opening for a rising mid-to-senior-level associate in the securities field, Karen decided a change of venue might spark her interest in filling in Securities and Exchange Commission forms.

Alan Warrick, a former securities litigator, interviewed Karen. During their conversation, Karen realized Alan knew litigation but not the regulatory side of securities law. Her job would be to do the substantive legal work to make him look good, so the firm would attract clients. In 1989, the local San Diego corporations were going to New York for their securities needs. Alan wanted to change that.

During that same interview, Alan decided that this thin, serious, auburn-haired woman with eyes the color of a stormy green sea and whose resume said she was thirty but who looked twenty, was the one he wanted for the job. She knew her stuff, and he could tell she was meticulous in her attention to detail. And she wasn’t married, so she had nothing to keep her from concentrating on her work for him. To win her over, Alan make it clear that the firm would highly prize an attorney who oversaw public stock offerings for large corporations and who shepherded their routine filings through the Securities and Exchange Commission. An associate attorney who knew how to fill in all the blank lines with all the right financial data on SEC forms and who got all the pictures in the right places in the annual reports would become a partner and earn a huge annual income.

So for the first year at Warrick, Thompson, Karen had tackled her work with renewed vigor, if not interest. She was the lone securities expert in the firm, unlike Jennings, Cooper, where securities expertise had lined the walls and carpeted the floors. Being “The One” all the other attorneys came to with SEC questions was fun. For a while.

But financial data has no heart and soul. Ten mind-numbing years of manipulating numbers for corporations of all sizes and persuasions took their toll. By 1994, her fifth year in San Diego, she realized she was as blank and empty inside as the documents she spent her days producing.

Then one Monday morning in March 1994, on the day that the handful of associates who had dared to take a few days off for Easter returned, rested and tanned, but apprehensive that all their files had been reassigned, Alan came into her office to announce that her partnership decision would be made in September of the following year. Karen, of course, had taken no time off for the holiday.

Just keep on, keep on, he advised; and she’d be a certainty for partner in September 1995. After all, she thought, as the aura of Alan’s smugness followed his retreating back out of her office, who are they going to replace me with? Although she now had two junior associates who helped in her practice, neither of them had the expertise to handle her clients. And neither had her dedication to work. Both had made the highly unprofessional mistake of absenting themselves over the Easter weekend.

Still, from day one, when she’d sized up Alan as a litigator and not a securities specialist, she had understood he was tough and expected to be pleased. Even if she knew more about securities law, Alan and David Thompson were the name partners. Cross them, and you were out.

So on that March Monday in 1994 Karen focused on making Alan happy. This was relatively easy to do because she was already used to working long hours, generating as much revenue from clients as humanly possible – or even as inhumanly impossible. She had learned in the early days of her career an associate in a big law firm that life was like was a prisoner-death-march. If you became ill, took a vacation, or fell in love, the firm eliminated you right where you fell, brought in your replacement, and moved on.

* * *

Then one clear Wednesday night in mid-October 1994, pleasing Alan Warrick became much, much tougher to do. Around eight thirty p.m., she looked up from the Hartfield Corporation’s 10-Q and saw Alan standing in her doorway.

“Great job on Waterfront Development’s closing today.”

“Thanks.” That was a matter Karen had truly hated. As a securities specialist, she did not often oversee corporate buyouts. But because she was being groomed for partner, to prove her “versatility,” Alan had dumped the Waterfront deal on her plate.

“Anyone else would be out celebrating,” Alan observed as he plopped into one of the chairs in front of her desk.

“Another time. I have to get Hartfield into the overnight word processing pool before I leave. I’m behind on reviewing my 10-Q’s because of the Waterfront deal.”

Alan heard the irritation in her voice. “Look, Karen, I apologize for pulling you off your regular clients, but Waterfront Development is huge. They are going to be redeveloping the entire area by San Diego Bay in the next ten years. David and I wanted them to be comfortable with you. They are going to be selling a lot of securities to finance their construction. We wanted them to love you.”

“And do they?”

“Looks like it. In fact, I’ve got a special request for you to take a look at a property for them.”

“A property? Alan, this is going too far. I have nothing to do with real estate. Let them fall in love with someone from that section.”

“No. That’s not what we need.”

Karen sighed. She was tired, and the Hartfield numbers were beginning to swim in front of her eyes. She hated being unable to finish a project before going home. “So what exactly do you need?”

“We want you to check out a place at Seaport Village, Jazz By the Bay. It’s a restaurant and jazz club that was part of the properties Waterfront picked up in the deal you closed for them today. The owner, Harry Rich, is half-way through a ten-year lease. Waterfront wants him out, so it can begin construction on a new set of shops and restaurants at the Village.”

“So start eviction proceedings.”

“It’s not that simple. As far as we know, Harry’s not in breach of his lease. Pays his rent on time, all that stuff.”

“Then wait five years.”

“Too expensive. No, look, here’s the lease.” Alan held up a file folder. “It has a provision for early termination if Rich hasn’t shown a profit for six of the last twelve months.”

“Ask to see his books.”

“But first, we want to know what kind of traffic the club generates. We don’t want to piss him off if he’s making money.”

“So you want me to put down this very important 10-Q that has to go out in two days to drink wine at a jazz club tonight? And I assume the time is billable?”

“Very billable.”

“And you’re coming, too?”

“Absolutely not. My wife hasn’t seen me in weeks – since we started the Waterfront deal. Besides, you at least know something about music. I can’t stand the stuff.”

Karen stared at Alan. “You’ve never mentioned my undergraduate major in the entire five years I’ve been here. You never even asked me about it in my interview.”

“Yeah, but now you know I read your resume. Flute, music degree. Boston University. You were on your way to Julliard. Then you wised up and went to law school, instead. Good thing, or you’d be starving like Harry and his buddies at that club. Do it for me, Karen. It might even be fun. You could stand a night or two away from the office.”

“As long as it’s billable. I’m up for partner, remember?”

“I never forget. Look, jazz clubs don’t close early. You’ve got plenty of time to wrap up Hartfield, get it into the pool, and make it to Seaport Village. Besides, I bet the crowd – if there is one – shows up late.”

“But it’s Wednesday night, Alan. Who parties on Wednesday night?”

“Beats me. Go find out for both of us. See you later. Good luck.”

* * *

Mumbling under her breath, she fixed up the Hartfield numbers and took the final draft to the overnight secretarial pool, then headed for her convertible VW Rabbit in the basement parking garage. She had promised herself a small BMW as soon as the partnership decision was made. The money to pay for it was waiting in her brokerage account. But buying it too soon might look cocky to Alan and David.

Well, hearing some jazz would be more fun than heading back to her condo in Del Mar, eating Haagen Daz out of a carton for supper, and then staring at rerun movies on TV until it was time to kill her boredom with a glass of wine and sleep.

She parked and wandered through the Village’s maze of tiny white fairy lights, until she found the little club, tucked into a corner with a stellar view of the harbor. Prime real estate, she thought, as she handed her cover to the bouncer at the door. He couldn’t believe she asked for a receipt, but she fully intended to bill the $10.00 to Waterfront Development. And that was the last fully rational thought Karen Moon had for some time.

She heard him playing before she saw him. Stan Benedict’s trumpet was pure gold in the medium range, had the depths of a human voice in the low range, and cut through her soul like diamond on diamond when he soared above the staff. She grabbed the receipt from the astounded bouncer and hurried inside to see who could be making these unexpected miracles of sound on an ordinary Wednesday night in San Diego, California.

It was a small club, only about twenty tables, with most of them empty on a mid-week night. But the attention to detail lavished on the decor gave it the elegant feel of a upscale forties night-club. Every table was covered in crisp white linen and topped with a candle glowing in ruby glass, next to a spray of red and white roses. The stage was small but professionally lit. The aroma of irresistible cooking wafted from the kitchen.

Karen was so fascinated by the music she forgot her role as corporate spy. Instead of taking a table in the back, she hurried to one close enough to the stage to see every detail, but far enough away to be engulfed in his incredible sound.

He was in the middle of his first set. His dark eyes darted over the audience from time to time, and occasionally rested on her, probably because she was new. Or maybe it was her business getup. The remainder of the audience, in everything from casual to full evening dress, seemed to be regulars. There were four couples, varying in age from twenties to forties, and one table of three women, mid-twenties to early thirties, obviously well known as fans because he grinned or winked from time to time when they clapped for a particularly high note or difficult passage. Each one wore a skin tight cocktail dress revealing plenty of cleavage.

Karen couldn’t take her eyes off him. Which conservatory had taught him to play like that? He was meticulous as he settled the horn to his lips, gripping it precisely with his left hand and running the long fingers of his right expertly across the valves. He was in charge of the sound, and it was overwhelming. In one shocking instant, the notes sent her world from black and white to color. At that moment, she couldn’t have even spelled Waterfront Development Corporation.

After the first set, he came into the audience, a glass of scotch in his left hand, and exchanged a few words with the various couples, who offered song requests. Karen busied herself ordering a red zin so she wouldn’t let her eyes linger over his conversation with the three women. She heard lots of laughter; and he glanced her way once and found her watching him. Embarrassed, she took a quick sip of wine and fixed her eyes on San Diego Bay, visible through the window behind the stage.

As if he knew he had her at a disadvantage and anxious to follow up, he left the women and sauntered over to her table.

“Hi, I’m Stan. You’re new, tonight.”

“Karen.” She stuck out her hand and then hated herself as he eyed it with amusement and gave it a light shake. Too many years among lawyers, she thought and gritted her teeth. “You play – ” She was so caught up in the sincerity of her feelings she didn’t care that she sounded tongue tied. “Incredibly.”

He grinned, and her heart turned over. She didn’t want to be one of the string of conquests like the poor women at the other table, but he did something to her that she could not describe.

“Not incredibly. But thanks.”

“No, I meant it. Where did you learn to make that sound? To play so effortlessly in the octaves off the charts?”

He shrugged. “Here and there.” The laughter in his eyes deepened. To her great satisfaction, he was flirting with her. “How do you know which octave I’m playing in? Or about trumpet players. You don’t look like a musician. You look like a banker.”

All at once Karen was miserably self-conscious in her mannish blue suit and starched blouse. She blurted out, “I’m an attorney. But I studied music – once.”

“Where?” His laughing eyes were skeptical.

“Boston University.”

His face became serious, and he backed away imperceptibly. She hadn’t thought her college background would intimidate him. Surely he had studied somewhere even more prestigious, given the way he played. Why should he be threatened by someone who filled in SEC forms all day? She bit her lip and wished she could begin her conversation over with him. At that moment, the only thing she wanted in the entire world was for Stan Benedict to like her.

But he was all cool, professional reserve now. The twinkle in his eyes had been extinguished. “Thanks for coming in, Kay. Come back again.”

“Karen.”

“Karen,” he repeated absently as he turned toward the stage.

She sat at her table, filled with despair, clutching her wine glass. Obviously he would not even remember her an hour from now.

He reached the stage where a stunning, raven-haired woman in her late twenties or early thirties in a tight, dark blue clingy silk dress joined him along with a drummer and an alto sax player. Stan leaned over and kissed the woman on the cheek, and Carrie felt a sharp, unexpected stab of envy. Was she his wife? He hadn’t acted like a married man at the Table of Three.

Stan started to put the horn to his lips, going through the now familiar routine of setting his mouth carefully in position before he took his first breath. But just before he completed his preparations, he put the horn down, catching the other musicians by surprise. They all looked at him quizzically.

He gave them his twenty-watt grin, walked over to the edge of the stage, and looked straight at Karen.

Her heart began to slam in her chest, and her hands trembled. She clutched the glass to keep them still.

Stan smiled and called out, “What’s your favorite tune?”

“‘I Can’t Get Started.'” She hoped her voice had sounded calm and normal.

He stepped back to his position on stage and said to the others, “Second set, first number. ‘I Can’t Get Started.’ For Kay, the banker.”

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Faster Than A Junior High Band Playing Sousa on Steroids

Last Wednesday morning, at 5:30, I woke up with my heart racing like a NASCAR competitor. I rolled over and tried deep breathing, but my heart ignored the vast quantities of oxygen I poured in and out of my lungs. (I have a trumpet player acquaintance who swears his trumpet-breath training saved his life during a heart attack. So I thought it was worth a try. I guess it doesn’t work for woodwinds.)
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So I sat up on the side of my bed in the dark and panicked. Which sent my out-of-control ticker into the tilt zone. But really, I told myself, wasn’t this the product of a month of my doctor trying to find a blood pressure medication that would keep mine normal and not give me the backache the current one gave me. Surely I wasn’t going to die of a pounding heart brought on by the recent three-day trial of a DIFFERENT DRUG? Then I decided NOT to answer that question.
I went down to the kitchen and swallowed the effective, but offending drug we were trying to replace, reasoning that the back pain you know is preferable to the death you don’t know. I went back to bed, and somehow my pulse went back to normal. I fell asleep congratulating myself on saving the cost of the ER visit and remaining alive, all with one tiny pill that was just going to give me a severely aching back while it kept me on this side of Eternity.
BUT THEN –
I was awake once more. And my heart was now racing along again in the danger zone. It was no longer impressed that I was willing to endure back pain to get it to behave. And it had developed this funky new symptom, pressure on my chest. I sat up again and considered my options. There was no one home but me and the retrievers, who don’t drive. One child was in Seattle. Not an option. One was in a classroom teaching with a brand new job on the other side of town. Not an option. The third was in his second week of law school, in class, also on the other side of town. Strike Three.
I reminded myself people in my family live a long, long time. All I had to do was drive myself to the hospital. I was tough. I could do it. After all, I’d given birth to three children after the age of thirty-six, wimping out to anesthesia only on child number three.
So for twenty minutes, I listened to Frank Sinatra sing Mack the Knife and tried to pretend my heart wasn’t going faster than my MiniCooper. I picked Mack, not because I like the lyrics, but there’s this feel-good jazz interlude that’s all big band and no vocals. And if I was heading to the Other Side, I wanted  Count Basie to give me a Big Send Off with trumpets blazing. I drove, and breathed as I counted the red lights to the ER.
The staff grabbed me at once and stuck electrodes everywhere. And by their reaction, which went from OMG to Oh, hum, I wasn’t having a heart attack. After a lady with a clipboard asked if I had an “Advanced Directive” and I told her “No, that means death is not an option today,” (she didn’t get the joke) a serious young ER doc told me the vampires would be after my blood, and then he would figure out what was making my heart run like a racehorse.
I had no one to talk to. I lay on my back and stared at the layers of gray metal light fixture on the ceiling and tried more deep breathing. My heart slowed its pace slightly, but nothing like what I needed to be comfortable.
I decided to think about SOMETHING ELSE. But what? I considered the possibility, Advanced Directive or no, the Universe had decided my number was up. Would the petals of the industrial light fixture above my head slowly dissolve into the long white-tunnel everyone talked about? Would heading into the light be easier than lying here alone, trying not to worry the EKG might have been wrong because my heart was not with the slow-down program? Would I get to come back and write a bestseller about Heaven which I already remembered from Before I Was Born? Had it changed much? Heaven Before and After didn’t sound dramatic enough for the bestseller list. And then it might seem boring that I’d already been there and remembered the place.
The ER doc returned to look at the heart monitor. Surely a bad sign, I thought.
“Wow, your heart rate’s high!”
Tell me something I don’t know. Was this doctor-speak for the white tunnel is on it’s way?
“Don’t name a number,” I said. I figured the freak-out from that information would send me into Eternal Oz to hang with the Wizard for sure.
He nodded and made way for the vampire cart.
Now I began to wonder if I should call my children. After all, they had no idea where I was or that my heart was doing a tap dance that might not have an encore. But the nurse had promised me an answer within the hour after the lab had given the results to the serious ER doc. So I decided to delay announcement of my possible demise. In the meantime, my heart had taken a new view of woodwind breathing and was beginning to turn down the metronome.
In the end, the vampires had the answer. The new medication coupled with the weird diet the doctor’s nutritionist had come up with (another story) had washed out all my potassium. And hearts can’t hold a tempo without their potassium. They rush like a junior high band on steriods playing a Sousa march. So after an hour of fluid dripped into my vein and twenty minutes of drinking the nastiest tasting potassium liquid on the planet, I was wiped up, dusted off and sent HOME.
It could have been worse. I’m glad it’s over. I eat an avocado, now, every day. Better source of potassium and a whole lot cheaper than the ER.
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