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Southern Mother At Large in California or You have a WHAT in that Suitcase?

In the end, I drifted up the road from Richmond to another, smaller firm in Washington, D.C. where my creative bent found a home. Not long after I arrived at New Firm, the Most Important Partner came into my office one day to congratulate me on a memo I had written for him that the Florida Legislature had then adopted at a statute for the benefit of one of the firm’s clients. He was a very happy Most Important Partner. The client was a Very Happy Important Big Bucks Client. And the firm sure could bill for that one! Redeemed at last.
But finding a home as a lawyer wasn’t as fulfilling as I had thought it would be. It was all still paper and stale conference rooms and working trips on air planes. And business suits, starched shirts, and floppy bows. So I struck out for California (on an airplane, not in a covered wagon) and motherhood.
By 1991, I had three children, ages five, three, and newborn. I had hired a college girl as afternoon help three days a week because I just could not keep up with the demands of the mother job, which was a 24-hour a day, 7-day a week affair. I had no family to give me a break. Babysitters didn’t want three kids or a newborn. And the kids’ dad had parked us in a ritzy part of town where moms had Hispanic nannies. (And went back to Work. To avoid the tough job of Mother, I was convinced.) So no one needed a Mothers’ Day Out Program. (Except me, apparently.)
Mothering, I soon discovered, was an endlessly creative job. My artistic self smocked tiny dresses for my daughter, rompers for the boys. I marched clowns and balloons, cupcakes, and teddy bears across their tummies. I looped ribbon into “frou frous” and sewed them onto my daughter’s dresses and hats. I made tiny linen and velvet suits and vests for the boys. I made doll wardrobes and Halloween costumes. (Think my daughter as Pooh and my first son as Piglet when I was pregnant with Number Three.) I made matching velveteen mother-daughter-son outfits for Christmas. And I used a gallon milk jug and fake fur to create a dead wringer for a Coldstream Guards hat. (For my daughter, not the two boys.)
Of course, this activity was not a California Mother Thing at all. California Mothers (the ones without nannies) wore yoga pants and stuffed their children into knit rompers from Mervyns and Gymboree. My activities were so unusual that I had to smuggle a “pleater,” the device consisting of rows of tiny needles that prepares fabric for smocking, back from Tennessee in my suitcase. I ordered smocking patterns and laces and tiny French hand sewing needles from Georgia and Florida and Virginia and Texas.
And naturally I didn’t send my California children to school in these artworks that only a Southern Mother could love. No, as soon as my daughter could pull the OshKoshs off the hangers and put them on, one leg at a time, the dresses hung in the closet quietly waiting for Sunday, like the Good Girls they were.
But, of course, Sunday came. And again, I behaved as a Southern Mother would. CHURCH. Being Episcopalian, we had no duty (Thank, God) to proselytize the California Mothers and their offspring. I could quietly dress my little ones in their smocked and French handsewn best and shuffle us all off to Sunday School (which, true to Southern Mother Form I taught) and CHURCH. (Where I provided stickers and crayons and paper and tiny coloring books to keep the small troops quiet through the boring (to them and sometimes to me, true confessions) service. One interesting Sunday, my small daughter pointed out we were almost the only people there under fifty. Everyone else was at BRUNCH in their yoga pants and knit rompers, California Style.
But I was a Southern Mother. I didn’t know any better.
Being creative as a mother wasn’t just about their clothes. No, it was far deeper and more fun and more substantive than that. Southerners love stories and are born storytellers. I told stories about the South and about their grandfather the FBI agent and their great-great-grandfather the Civil War solider (for the Union!). I read and read and read and read. We loved Thomas the Tank Engine (we called him “Thomas Tanken”), Madeline, Good Night Moon, the Runaway Bunny, Winnie the Pooh, any alphabet book ever written, and all forms of Nursery Rhymes. We watched Sesame Street, talked about “Bee Bo,” “Oscar the Grouch,” “Cookie Monster” and “Count One Count.” (My daughter’s name for him which I thought much better than the original.)
We went to Disney moves, although my daughter wisely decided she did not want to be a Disney princess like her California counterparts, who would ditch their knit rompers for princess gowns, tiaras, and scepters to wear to the park. My daughter, on the other hand, put on her Coldstream Guards costume for outings and marched beside her little brothers’ stroller.
We ate fish sticks and tater tots for supper with plenty of ketchup. We had pillow fights and said prayers at bedtime. (Always the Lord’s Prayer because Now I Lay Me had terrified me as a child because it talked about dying.) We waded in the Pacific on days that never seemed to end because of the stifling heat. (The kids’ dad, who worked in air conditioned comfort, said we didn’t need to be cool.) And we promised every time that we wouldn’t go in the water in our clothes. But we always did. In short, the four of us laughed and created and played and had fun, Southern Mother style, in the foreign country of California. We made few friends, although we tried. But we had each other.

Somewhat skimpy ribbon frou frou on dress


Bee Bo!

Thomas Tanken!

A Smocked dress


Her costume looked like this!


 

A pleater.


 

TMI Colonial Style or Trapped By A Tour Guide

I have not visited Colonial Williamsburg in many years.  It has always been One of My Favorite Places, and it continues to be.  But today I experienced Too Much Information, Colonial Style.
The visit to the Brush-Everard House began like most of the others on our two-day tour, with a fifteen minute wait outside for admission in a group with a guide who would take us through the house.  But once inside, we were TRAPPED by DETAILS.  For example, we had to hear the excruciating story of the recovery of unused 250 year old china from the bottom of the sea.  Piece by Piece.   For my money, just saying, hey look over there in the china cabinet would have been fine.  And then, we learned it was not a china cabinet at all.  It was a “bowfat” or, as we all know now, a “buffet.”  Could have survived without that piece of trivia, too.  Then there was the history of EVERY SINGLE PIECE OF FURNITURE in the room.  Sorry, it was enough for me to know they were all period originals.
We learned the history of every print on the walls, the hue of the paint, the way wallpaper was hung, and how carpet was woven and  sewn together.  Upstairs, we heard every detail of the daughthers’ marriages and deaths.  I mean every detail.
Back downstairs, all of us were waiting for a chance to dash through the back door.  As the tour guide followed us out, wailing, “Don’t you want to hear about the outbuildings?” our group was making a break for it through the side gate, one by one.  I do love history and Williamsburg, but word to the wise:  there are only so many details that are (a) interesting and (b) pertinent and (c) that the human brain can absorb in a sitting.  Anyway, we made up for being BORED with a good lunch and a walking photo shoot this afternoon.  No more being TRAPPED inside on guided tours.ImageImageImageImageImageImageImageImage